• Sony Hi Res Audio
• Sony High Res Player

Aug 02, 2016  The software provides two options here: you can either import in Sony’s own DSD format, or as 24-bit WAV files. Both file types are supported by Sony’s line of Hi-Res Audio Walkmans. High-resolution audio sources have higher sound quality than a CD and greater detail, delivering sound that’s close to the original. Conventional music players do not support high-resolution audio source formats, or down-convert the data to CD quality for playback. IAudioGate supports a wide range of formats in order to play back high-resolution audio sources at their full quality. The 1.2.0 version of Hi-Res Audio Player for Mac is provided as a free download on our software library. The actual developer of this free Mac application is Sony Electronics Inc. The file size of the latest installation package available for download is 3.7 MB. The software lies within Audio & Video Tools, more precisely Players.

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KORG was among the first to embrace the potential of high-resolution DSD audio for recording, for archiving, and for pure listening enjoyment. From rack-style studio recorders to portable solutions and hand-held devices—as well as USB DAC and player/converter software—KORG has led the charge to create a generation of DSD hardware and software products to satisfy audio lovers everywhere. Launched in 2006, the AudioGate PC music player quickly became a blockbuster success. AudioGate combined versatility and fidelity with a user-friendly interface, taking the power of DSD out of the hands of the audio elite and making it available to a diverse world of enthusiastic listeners. Today, AudioGate commands an overwhelming share of the DSD player market.
KORG, awarded Best of App 2014 (Japan) by Apple, is proud to announce that iAudioGate, the groundbreaking high-resolution music player, is now available for iPhone. iAudioGate has been fully loaded with the AudioGate player engine and customized to perform as an iPhone app. Aside from the immaculate sound quality, the iAudioGate application incorporates the best features of an iPhone app, such as a stylish interface and a simple-to-use graphic equalizer.
Create, capture, and experience the supremacy of sound made possible by KORG. For KORG, the ultimate achievement is the faithful reproduction of sound as it was intended by musicians and engineers—and for the delight of the listeners who savor it. Experience the ultimate sound that until now was unavailable from a mobile system.

• Premium-resolution sound player engine
• Performance is equal to AudioGate, the standard DSD player-converter software
• Plays nearly all file types—including high-resolution audio, DSD, FLAC, MP3, etc.
• Physically-controllable high-definition graphic equalizer
• Intuitive and stylish interface makes us of the excellent iPhone/iPad design features
• Upsampling feature provides enhanced audio reproduction of your favorite tunes
• Enables wireless smart-forwarding of tunes from Mac / Win (via AirDrop, iCloud Drive, Dropbox etc.)
• Flexible remote control via the Apple Watch app

Bring out the potential of high-resolution audio sources

High-resolution audio sources have higher sound quality than a CD and greater detail, delivering sound that’s close to the original. Conventional music players do not support high-resolution audio source formats, or down-convert the data to CD quality for playback. iAudioGate supports a wide range of formats in order to play back high-resolution audio sources at their full quality. Even when performing conversion, the optimal type of processing is performed for each specific file format to deliver the highest quality of sound. In addition, a wide range of sampling rates up to 11.2 MHz DSD is supported, allowing direct playback without conversion processing, and even up-sampling, optimally controlling for all sound sources.

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Sony Hi Res Audio

Reveal the Potential of High-Resolution Audio Sources

High-resolution audio sources possess a higher level of sound quality than that of a CD. In addition, they contain greater detail and are far better at preserving the ambience of the original recording environment. The benefit is a listening experience that is incredibly faithful to the original. Conventional music players do not support high-resolution audio source formats—or they simply down-convert the data to CD quality for playback.
iAudioGate supports a wide range of formats in order to play high-resolution audio sources with the greatest degree of accuracy and the highest fidelity possible. During conversion, the optimal type of processing is performed for each specific file format to achieve the finest quality of sound. A wide range of sampling rates—up to 11.2 MHz DSD—is supported, allowing direct playback free from conversion processing. Effective up-sampling operations yield enhanced audio performance from all sound sources.

As an app born from file-format conversion software, KORG has unsparingly endowed iAudioGate with the same exacting playback engine featured in AudioGate—the industry standard software for DSD playback and conversion. The sampling rate conversion filter has been carefully designed to enrich each specific combination of sampling rates, and also takes into account the characteristics of the A/D converter and D/A converter themselves. The original AudioGate realtime playback engine has continued to advance day by day, and is fully realized in iAudioGate.

Audio files exist in a variety of formats. iAudioGate supports a vast array of audio formats such as MP3, AAC, and 44.1/48 kHz WAV; high-resolution audio sources such as 96/192 kHz WAV and FLAC; as well as 11.2 MHz DSD. iAudioGate remains in complete control of entire conversion process, so it can flawlessly playback songs that differ not only in their bit depth or sampling rate, but it can also handle playback chores that contain a mix of different file formats.

The tonal response of all iAudioGate formats—including high-resolution audio sources—can easily be custom-tailored using the onboard graphic equalizer and intuitive fingertip controls. Careful attention has been paid to not only the audio performance, but to the physical ease of operation one expects from an iPhone app. You can draw the EQ curve with a single stroke, and then go back to make detailed adjustments, little by little. Once you've experienced this ideal type of EQ control, other equalizers will pale in comparison.

* The equalizer does not support DSD native playback, or up-sampling to DSD playback.

Meticulous attention has been lavished not only on the superior audio quality of the iAudioGate, but to the graphics and user interface as well. As is befitting an app designed to reproduce audio using the highest possible resolution, the compelling interface complements the sophisticated design sensibility of the iPhone, and has been honored by Apple Corporation as Best of App 2014 (Japan). This achievement has been made uniquely possible by KORG’s expertise in both sound and app development.

For the pinnacle of home audio enjoyment, KORG recommends the combination of the PC (Mac/Windows) version of AudioGate combined with the KORG DS-DAC series. This allows the creation of an uncompromising listening environment with excellent management of even high-resolution audio sources that tend to occupy significant storage space. Your favorite high-resolution audio sources can be easily transferred via AirDrop, iCloud Drive, Dropbox, Google Drive, One Drive, or iTunes right to your iPhone. Thanks to iAudioGate, you can take high-resolution audio sources with you anytime, anywhere.

* If you use The KORG DS-DAC-10R, you must use a compatible connection kit/adaptor made by Apple, and provide power from a USB hub that is equipped with a power supply.
* The KORG DS-DAC series which are DS-DAC-100, and DS-DAC-100m are DAC units for desktop use only. These do not support iOS and iAudioGate.

You can use Apple Watch to remotely control iAudioGate. Play, stop, fast-forward, and volume changes can be controlled with a simple touch. Artwork and other song information for the currently-playing song are visible at a glance. You can even switch between equalizer presets. Don’t miss this opportunity to enjoy a cutting-edge mobile listening environment.

Specifications

Operating Requirements

iOS 9 or later

Device

iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus,iPhone 6, iPhone 5s,
iPod touch sixth-generation,
iPad Air 2, iPad Air, iPad mini 3, iPad mini 2
* The display is equivalent to that of the iPhone.
* The iAudioGate's DSD playback functions may be limited by each iOS device due to CPU performance.
For details, visit “ DSD format Compatibility Charts”

Supported file formats

WAV, BWF, AIFF, FLAC, ALAC (Apple Lossless), AAC, MP3 *compatible with 44.1kHz - 192kHz DSD (DSDIFF, DSF, WSD) * compatible with 2.8MHz, 5.6MHz, 11.2MHz
* Not compatible with files protected with DRM.
* The software converts sound to 44.1kHz or 48kHz when iPhone plays back independently.
* Compatible with DSD native playback with DoP.

Languages

English, Japanese

Operability confirmed USB-DAC

KORG DS-DAC-10R
iFi-Audio micro iDSD, nano iDSD
OPPO HA-2
SONY PHA-3

* If you use The KORG DS-DAC-10R, you must use a compatible connection kit/adaptor made by Apple, and provide power from a USB hub that is equipped with a power supply.

* The KORG DS-DAC series which are DS-DAC-100, and DS-DAC-100m are DAC units for desktop use only. These do not support iOS and iAudioGate.

* iPad, iPad Air, and iPad mini are trademarks or registered trademarks of Apple Inc.

* All product, company, and standard names are trademarks or registered trademarks of their respective holders

* Appearance and specifications of products are subject to change without notice.

DSD format Compatibility Charts

DSD native playback with DoP

11.2MHz	5.6MHz	2.8MHz
iPhone XS iPhone X iPhone 8 iPhone 7 iPhone 6s Plus	○ (*1)	○	○
iPhone 6 Plus iPad Air 2	○ (*1)	○	○
iPad Air iPad mini 2	×	○	○

DSD upsampling playback with DoP

DSD	DSD	DSD
iPhone XS Max iPhone XR iPhone 8 Plus iPhone 7 Plus iPhone SE iPhone 6s	○ (*1)	○	○
iPhone 6	○ (*1)	○	○
iPhone 5s iPad mini 3 iPod touch sixth-generation	×	○	○

PCM conversion playback

11.2MHz	5.6MHz	2.8MHz
iPhone XS iPhone X iPhone 8 iPhone 7 iPhone 6s Plus	○	○	○
iPhone 6 Plus iPad Air 2	○	○	○
iPad Air iPad mini 2	○	○	○

*1) Operability confirmed USB-DAC: iFi-Audio micro iDSD

Frequently asked questions about iAudioGate

iAudioGate for iPhone is available on the App Store.

iAudioGate for iPhone

HIGH RESOLUTION MUSIC PLAYER

Audirvana Version 10
$50
If you have so far resisted buying any third-party music playback software for your Mac, Audirvana offers some compelling reasons to reevaluate that decision. Especially if you use multiple DACs or listen to higher-res files and DSD, Audirvana Plus is a more ergonomically elegant and sonically superior alternative to iTunes. And for readers who need to see and hear for themselves, you can download the trial version of Audirvana Plus for free. For fifteen days you can use the full version with no restrictions. I’d be very surprised if, by the sixteenth day, you haven’t anted up that $50 to become a licensed user. BTW, Version 10 also includes MQA.

Muzo Cobblestone
$59
This inexpensive little device provides wireless streaming to any audio system. Although the Cobblestone won’t be right for a reference system, it simply and inexpensively adds Internet radio, smartphone streaming, and NAS playback capabilities to a secondary “lifestyle” or background music system. The Cobblestone produces listenable, if not riveting sound. The harmonic balance is a bit dark, with forgiving treble and a warmish upper bass.

Roon Labs 1.5 Computer Audio Playback Software
$119/yr. ($499, lifetime subscription)
The Roon music management program offers a rich interface with far more information about the music in your collection than any other program reviewer Vade Forrester has seen. Its flexible and easy metadata-editing tools make it simple to fix the inevitable errors that creep into Roon’s (and any other playback program’s) graphic display of your albums. VF found playing music on Tidal easier through Roon than through Tidal’s own playback program. Most importantly, Roon just sounded good—a little different from, and in some ways better than JRiver.

Channel D Pure Music 3
$129
Pure Music is a great piece of software at a price that even a flea market-scrounging hobbyist audiophile can afford. Combine Pure Music with any recent Mac computer and you have a front end that will play back any digital file from FLACs to lowly MP3s on up to 192/24 high-resolution files with ease. Mate this front end with a top-flight DAC and you have a digital playback system that will catapult you to the forefront of the new computer-playback revolution.

Amarra
$189, $99, $85, $49 (price varies depending on the feature set)
When Amarra first appeared on the scene it was pricier than most of its software competition. But with current pricing, that barrier to ownership has been greatly reduced. While there are sonic differences between Amarra and its competitors, the nature, scope, and perceptibility of those differences will vary drastically depending on the other components, both hardware and software, in your system. Still, after all these years, if you want to hear how good a Mac-based system can really sound, Amarra is one of the few playback programs you must have. In the end, it’s that simple.

Sonore microRendu
$499 without power supply; $549 with iFi Audio power supply
Suppose you took the playback, or rendering, function from a full-fledged server, installed it on a tiny computer, wrapped it in an enclosure no larger than many USB flash drives, and plugged it directly into a DAC’s USB input. What you’d have is Sonore’s microRendu player, which further minimizes its size by offering only a network (RJ45) input. It plays PCM files up to 768kHz and DSD512. The microRendu produces a pure, quiet, detailed output that sounds far more expensive than its paltry cost. It ships with several playback programs, including Roon (but you need a Roon license). Want better sound? Get a better power supply. Sonore provides a list of nine recommended units.

SOtM sMS-200 Neo
$510
A very small device that plays PCM digital audio files up to 384/32 and DSD256. With a silver isosceles trapezoidal faceplate and a wall-wart power supply, the sMS-200 is just right for a space-limited digital audio player. It lets you store your audio files either on a network or an external USB drive. A software suite called Eunhasu give you lots of software playback options, including the popular Roon (but you need a Roon license). Additional power supplies are available (VF used the mBPS-d2s battery-powered supply). Output to the DAC is via a USB jack. The sMS-200 with Roon was very dynamic, with fully-fleshed-out harmonics and excellent momentum. For even better sound, if your space and budget are larger, you might consider the sMS-200ultra and its matching sPS-500 power supply. The sMS-200ultra also has a matching sCLK-OCX10 master-clock generator which is said to improve the sound even more.

Sony High Res Player

PS Audio Bridge II Network Audio Card
$899
An expansion card that plugs into a slot on the back of PS Audio’s DirectStream DAC and turns the DAC into a complete digital audio file player. The addition of the card requires only a screwdriver, and should be within the capability of anyone who can mount a cartridge in a tonearm. The only input is an RJ45 jack for connection to a network for file storage and remote control. The Bridge II will play PCM software up to 192/32 and DSD128, and will downconvert higher-resolution files automatically. Fully decodes MQA files, Tidal (including Masters), Spotify, Qobuz, VTuner, and is Roon-ready (you still need a Roon license). The sound is essentially the sound of PS Audio’s DirectStream DAC, which is generally regarded as one of the best at its price point, and competitive with some more expensive DACs. The Bridge II card, like the DirectStream DAC, can be upgraded using free downloads from PS Audio, so the sound just keeps getting better.

Berkeley Audio Design Alpha USB Interface
$1895
The folks who brought us the amazing Alpha DAC have finally solved the problem of how to get high-resolution audio out of a computer with the highest possible quality. The Alpha USB is a sophisticated solution to an apparently simple problem: how to connect a DAC to a computer’s USB output. The Alpha USB connects to your computer’s USB port, outputting a coaxial signal (on BNC jack) or AES/EBU (on an XLR jack) so that you can drive a DAC. The Alpha USB’s sonic magic is the result of heroic measures to isolate the “dirty” USB signal from the “clean” SPDIF or AES/EBU output, and the precise, low-jitter clocking of the digital-audio output. The sonic result is state-of-the-art playback of standard-resolution and high-resolution files, exceeding the performance of even the best soundcards.

Sony HAP-Z1ES
$1999
As the poster boy for Sony’s “High Definition Music Initiative” the new HAP-Z1ES defines what Sony sees as the future of two-channel audio. It attempts to be easy for a naïve user to operate, yet capable of the highest audio quality. As SS put the HAP-Z1ES through its paces he looked for reasons it might be not be considered a true high-performance component—and found none. If you plan to spend more than $2000 on any digital front end—be it an audio-computer, CD player, DAC, network player, or any other front end that uses digital files as a source—and you don’t audition a HAP-Z1ES, you are ignoring what may well be a benchmark digital product.

Aurender N100H
$2700 w/2TB ($3000 w/4TB)
Aurender’s N100H brings you a surprising amount of the technology, sound quality, and outstanding user experience of the flagship W20 for a fraction of the price. You don’t get features such as dual-wire AES and clock input, but most users don’t need those capabilities anyway. The internal storage is 2TB rather than 12TB, but you can always add a NAS drive for more capacity. What you do get is the same outstanding Conductor app, Tidal integration, and Remote Support. Aurender’s Conductor app for iPad is by far the best RH has used—fast, visually appealing, stable, intuitive, capable, and uncluttered, with features that have been clearly refined through actual use. Sonically, the N100H comes pretty close to the W20’s state-of-the-art performance, particularly considering the cost differential.

Linn Majik DSM
$4750
The Linn Majik DSM combines the capabilities of the Majik DS network device with an integrated preamp and a power amplifier. During the review, SS spent time using the Majik DSM as a source component as well as stand-alone integrated amplifier connected to a pair of Linn Majik 140 loudspeakers, and finally, combined with the recently launched Majik Exaktbox-I. This new one-box upgrade takes the simple Majik-DSM-plus-Majik-140-speakers system to its highest performance level using Linn’s Exakt technology. To call the Linn Majik DSM a “flexible” component would be an understatement on the same order as calling The Beatles just another rock band. The Majik DSM can be used as a one-piece stand-alone music center alongside any speakers, or it can be combined with other Linn products to create different setups of increasing price and performance. In short, if you have a lousy-sounding room whose dimensions and sonic issues are such that they can’t be fixed easily with room treatments, the Linn Majik system offers a viable alternative to giving up all hope of decent sound. While not magic, Linn’s Majik system comes as close as possible to musical alchemy, by turning leaden-sounding rooms into sonic gold.

Cary Audio DMS-500
$4995
Anchored by superb sonics and wide-ranging connectivity, the DMS-500 is also one of the most format-friendly and un-finicky ‘net audio players you’re likely to find (at least for the next six months). Fully operational for streaming or file playback, wireless or Ethernet, the DMS-500 is now MQA-equipped and thus even more sonically rewarding. The sound of the player is full and warm, dynamic and quick, but never to the point of etch or grain. In short, a winner. Solidly constructed and reasonably priced, it includes an intuitive remote control, which makes navigation a snap (although the new controller app is even better). The large, bright, full-color front-panel display imparts loads of information, and is nicely legible from afar.

Aurender A10
$5500
The Aurender A10 is a “caching network music server/player with analog outputs.” It won’t play or rip a disc, feeding only on audio files streamed or stored on the A10’s own 4TB storage drive or on an external NAS. Music is “cached”—that is, played from a 120GB solid-state drive, which reduces electrical and acoustic noise that would derive from a spinning mechanical drive. Although an external DAC can be employed, the A10 has highly regarded dual-mono AK4490 DAC chips; the player is the first to support full MQA hardware decoding. The A10 is operated via Aurender’s Conductor app (iOS on an iPad is required) that effectively integrates the vast holdings of the Tidal streaming service to files that the user owns and keeps locally. Both single-ended and balanced analog outputs are provided. The A10 can drive an amplifier directly, with gain controlled either with a knob on the player or via the Conductor app.

Lindemannn Audio Musicbook: 25 DSD
$6000
Has Lindemann made being an audiophile a little too easy? Could be, but this handsome one-box solution allows users to dial up their music with the ease and alacrity of a short-order restaurant. Equipped with a volume-controlled analog preamp, slot-load CD player, DAC (resolutions of up to 384kHz PCM and DSD256 with native DSD playback), and integrated streamer with onboard Tidal and Qobuz, the Musicbook: 25 DSD offers a mind-bending level of convenience and superior overall musicality—from transient speed and timbral naturalism to macro/micro resolution. Ambient and dimensional cues are solid and assured. For a component not much larger than a summer bestseller, the Musicbook: 25 DSD speaks volumes.

Lumin A1
$6499
For those looking to quit the computer, there’s the Lumin A1. Capable of pulling audio media from most external digital sources—and (ideally) over a network with a NAS—the A1 is equipped with dual-mono Wolfson DACs that can play back a multitude of formats, up to and including 32-bit/384kHz PCM/DXD and standard DSD. Operating wirelessly through its own terrific iPad app, the A1 releases all the reins of tension, dryness, and constriction that accompany most digital recordings, adding the warm, weighty presence and velvety textures that are hallmarks of great analog. The L1, an external, preconfigured, 2TB storage HDD, is optional for $1200.

Playback Designs Syrah
$6500
The ideal partner to Playback Designs’ Merlot DAC, the Syrah is a pitch-perfect player armed with 2TB of hard-drive storage that accepts virtually any file format or native sample rate and supports DLNA streaming and services like Tidal from any Airplay-supported device. Its app offers a series of well-organized, navigable menus including a wide range of settings and attractive readable graphics. Partnered with the Merlot DAC, the Syrah produces some of the most compellingly musical and elevated audio that NG has heard from a source component—digital or analog—in quite a while. If that’s not worth raising a glass to and celebrating, then nothing is.

Esoteric N-05
$7500
The vaunted Japanese brand Esoteric has entered the network player category in high style with the N-05 network audio player. Just connect the N-05 to your network, add a USB or NAS drive, add an iPad to your network, and you’re ready to access your music library via Esoteric’s app. Integral Tidal streaming expands musical offerings beyond file-based storage. Of course, the N-05 will also function as a conventional DAC, providing SPDIF, TosLink, and USB inputs. Sonically, the N-05 renders an expansive soundstage of considerable realism, projecting instruments into space with air around them and no smearing. Dynamic contrasts are well portrayed, particularly microdynamic nuances. Timbres are free from edginess and distortion. The build-quality and chassis work are typical Esoteric—that is, drop-dead gorgeous. In sum, Esoteric’s first entry into the network player market is a winner.

Astell&Kern AK500N
$8900 (Complete system w/1TB storage)
This combination DAC and music player from Korean firm Astell&Kern is milled from thick aluminum plates machined smooth and anodized black or silver. A 7' touchscreen LCD panel folds flat on top of the chassis—like having a small tablet computer built into the player. Although not really large, the AK500N looks very solid (and at a hefty 25.1 pounds it definitely is solid). The AK500N can play music files from its internal SSD storage (up to 4TB), from external USB drives (either flash drives or hard drives), and from NAS drives attached via a network. The AK500N plays PCM files in a wide variety of formats up to 24-bit/384kHz and DSD64 and DSD128. DAC chips are two Cirrus Logic CS4398s. Power is supplied by an internal battery supply, so operation is extremely quiet. The AK500N’s bass is spectacular: very deep and extremely detailed, with lots of impact. Its midrange is also detailed, with rich, fully developed harmonics. Dynamics are exciting, particularly microdynamics. Soundstaging is realistic without any blurring. Overall, the sound matches or exceeds anything reviewer Vade Forrester has heard in his system.

Technics SU-R1
$8999
The first member of Technics’ new R1 system is a network player dubbed the SU-R1. While it won’t spin silver discs, it’ll handle pretty much everything else. The SU-R1 is a streamer as well as an unusually comprehensive DAC. Streams of hi-res PCM or DSD files can emanate from either a LAN-connected NAS or a directly connected USB drive. Additional USB inputs provide support for PCs, Macs, and thumb drives. The SU-R1 even sports two sets of analog inputs. Inside the SU-R1 lies its share of the tech that Technics has lavished on the entire R1 series. The clock is battery-powered, which shields this critically sensitive element from AC line noise. Because the degree and nature of jitter differs by input, Technics built a specific jitter-reduction circuit for each source. The USB module is graced with an expensive ruby mica capacitor. Plus, there’s a Direct mode that bypasses everything but the bare minimum circuitry. Engaging this mode results in an immediate and distinct uptick in transparency. The sound is direct and pure. There’s nothing to obscure your ability to dive into the music like an inviting pool on a summer day.

Naim NDS
$13,800–$22,150 (depending on power supply)
In the NDS Naim has designed a network player that can handle a wide variety of sources and, with the addition of Naim’s UnitiServe and a NAS drive, becomes a full-fledged, highly capable music server. The best news is that Naim has created for the NDS (and all Uniti-series products) a fabulous music-management iPad app. The NDS/UnitiServe is the perfect solution for many music lovers who want to transition to computer-based audio without the limitations of turnkey music servers or the confusion of do-it-yourself systems. Fortunately, Naim has imbued this highly capable system with a terrific-sounding DAC section. The NDS is high in resolution but without hyped “detail,” voluptuous and rich in tone color without euphonic coloration, and musically vivid without being sonically vivid. The NDS also has a particularly powerful and appealing expression of music’s rhythmic flow. It’s the kind of sound that lets you become quickly and deeply immersed in the music, not the sound.

Baetis Audio Reference 2
$15,600
Baetis vociferously rejects the standard deployment of the universal serial bus (USB) as the default digital interface between a music computer’s motherboard and a DAC, maintaining that transporting audio data within a USB signal generates deleterious digital noise. Earlier Baetis designs achieved notable sonic results with a coaxial SPDIF output terminated with a BNC connector; now the company has determined that a higher-voltage SPDIF takes the playback of high-resolution stereo audiophiles to an even higher level of fidelity. To AQ, the Baetis Reference 2 achieves the closest approach yet to musical realism in digital’s long-frustrating history.

Best photo storage software for mac. Nov 20, 2019  Google Photo free photo organizer is incredible software to work with shots and recordings. All things considered, it fulfils every single present-day rule. Pictures and recordings are consequently transferred to the Distributed storage and sorted out, and wind up accessible for pursuit following transferring. Google Photos free photo manager is a great program to work with shots and videos. Actually, it meets all the modern standards. Images and videos are automatically uploaded to the Cloud storage and organized, and become available for search immediately after uploading. Jul 05, 2020  The Mac photo management software has a clean interface. It’s possible to view large numbers of photograph thumbnails at once, and there’s little to no lag when expanding files to full detail. Luminar also allows you to access your computer’s folder hierarchy and create personal albums. Sep 24, 2018 — Managing a huge gallery and organizing photos is a tricky business, even if you’re generally tidy, so it’s always a good idea to use some help. Especially when there’s software out there designed specifically to deal with an overload of pictures. The only trouble with professional photo organizing software is that, much like any photo equipment, it’s painfully expensive. This free photo management software solution boasts powerful photo batch processing, geo-tagging and tags. Although it does not offer cloud storage, you can use it to share your photos with others by making a Google Map gallery or using the JetPhoto Server or Flickr.

Aurender W20
$17,600
Aurender’s top-of-the-line W20 is one of the most feature-laden and capable turnkey music servers on the market. It also happens to have the best music-management app, an important consideration when choosing a server. Load the W20’s internal hard drive (up to a whopping 12TB) with music, connect one of its many digital outputs to a DAC, link a tablet to your wireless network, and you’ve got virtually unlimited music. Seamless integration with streaming service Tidal greatly expands the W20’s functionality. The W20’s sound quality is outstanding, perhaps in part due to its 240GB internal cache memory, battery power supply for critical circuitry, and other performance-oriented design tricks

Linn Klimax DS and Klimax DSM
$23,375 (Klimax DS), $27,500 (Klimax DSM)
Best known for its venerable LP12 turntable, Linn Products was one of the first brands to abandon CD and SACD for file-based digital streaming, and the company’s first Klimax DS was one of the reasons for the switch. Now in its third iteration, the Klimax DS streamer and Klimax DSM streamer with built-in preamplifier raise the performance bar to new heights. Central to the latest Klimax is the new, fully retrofit-able Katalyst DAC architecture, which uses a sophisticated circuit to create better power supply feeds to individual subsystems in the DAC chip, and greater clock precision. Although the existing Klimax was one of the best digital streamers in production, the latest Katalyst or “DS/3” model towers over its predecessor in virtually all aspects of performance.

Burmester MC151
$25,000
This elegant and capable music server beautifully blends high technology with luxury. It combines in one chrome-plated chassis a CD ripper and 2TB of storage, and has the ability to play music from a streaming service, USB stick, or external drive. What’s more, the MC151 has variable output levels and source switching, making it a fully capable preamplifier. Burmester’s iOS app makes it easy to find and play back music. Music stored on the MC151 can be accessed by any other UPnP device on the network. The crowning glory of the Burmester MC151, however, is not its features, but its sound quality. It brings out exceptional upper-octave life and air, but still keeps the midrange warm and natural. Bass is equally excellent.